The most important class, however, for me and for hundreds of other Hungarian musicians, was the chamber-music class. From about the age of fourteen, and until graduation from the Academy, all instrumentalists except the heavy-brass players and percussionists had to participate in this course. Presiding over it for many years was the composer Leó Weiner, who thus exercised an enormous influence on three generations of Hungarian musicians.

Sir Georg Solti

28 January 2020, 18.00-21.00

Room X

Students of Márta Gulyás Presented by Liszt Academy

Beethoven: Variations in E-Flat Major on ‘Bei Männern welche Liebe fühlen’ from Mozart’s Die Zauberflöte, WoO 46
Brahms: Sonata for Viola and Piano No. 1 in F minor, Op. 120/1
Dániel Molnár (viola), Molnár Marcell (piano)
Janáček: Sonata for Violin and Piano
Fanni Koros-Fekete (violin), Péter Bálint (piano)
Mozart: Piano Quartet No. 1 in G minor, K. 478
Csongor Korossy-Khayll (violin), Előd Soós (viola), Balázs Dolfin (cello), Valentin Magyar (piano)
Shostakovich: Sonata for Cello and Piano in D minor, Op. 40
Gergely Devich (cello), Valentin Magyar (piano)

Tickets:

Admission is free, subjected to the capacity of the room.

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