EN
The most important class, however, for me and for hundreds of other Hungarian musicians, was the chamber-music class. From about the age of fourteen, and until graduation from the Academy, all instrumentalists except the heavy-brass players and percussionists had to participate in this course. Presiding over it for many years was the composer Leó Weiner, who thus exercised an enormous influence on three generations of Hungarian musicians.
Sir Georg Solti
Katalin Kokas, Barnabás Kelemen & Friends/5

2 March 2021, 19.30-22.00

Grand Hall

Chamber Music, Tuned for Grand Hall

Katalin Kokas, Barnabás Kelemen & Friends/5 Presented by Liszt Academy

FAB Ensemble

Streamed only

Ravel: Sonata for Violin and Cello
Katalin Kokas (violin), Dóra Kokas (cello)

Shostakovich: Seven Romances on Poems by Alexander Blok, Op. 127
Lilla Horti (soprano), Ágnes Langer (violin), Dóra Kokas (cello), József Balog (piano)

INTERMISSION

Anders Koppel: Tarantella
Szabolcs Joó (percussion), Barnabás Kelemen (violin)

Schumann: Piano Quartet in E-flat major, Op. 47
Barnabás Kelemen (violin), Maxim Rysanov (viola), Dóra Kokas (cello), Zoltán Fejérvári (piano)

Host: Gergely Fazekas

Stream free of charge at the website, Facebook page and Youtube channel of the Liszt Academy and the Festival Academy.

Presented by

Festival Academy Budapest, Liszt Academy Concert Centre

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