The most important class, however, for me and for hundreds of other Hungarian musicians, was the chamber-music class. From about the age of fourteen, and until graduation from the Academy, all instrumentalists except the heavy-brass players and percussionists had to participate in this course. Presiding over it for many years was the composer Leó Weiner, who thus exercised an enormous influence on three generations of Hungarian musicians.

Sir Georg Solti
Doctoral Concerts 6

18 March 2024, 19.00-21.00

Solti Hall

Doctoral Concerts 6 Presented by Liszt Academy

R. Strauss: Ständchen, Op. 17/2
R. Stauss: Das Rosenband, Op. 36/1
R. Stauss: Ach weh mir unglückhaftem Mann, Op. 21/4
R. Strauss: Für fünfzehn Pfennige, Op. 36/2
R. Strauss: Wiegenlied, Op. 41/1
R. Strauss: Morgen!, Op. 27/4
R. Stauss: Junghexenlied, Op. 39/2
Anna Subedi (soprano), Kinga Krizsán (piano)
Schumann: Piano Sonata No. 2 in G minor, Op. 22
Bartók: Two Romanian Dances, BB 56
Mónika Ruth Vida (piano)
Bartók: For Children, BB 53 (arranged by Bence Bánkövi)
Bence Bánkövi, Kristóf Borbély (cello)

Please note that compared to the previously announced programme, the performances of Mónika Ruth Vida, Bence Bánkövi and Kristóf Borbély will be cancelled. Éva Szalai will take the stage instead of Mónika Vida Ruth.

Presented by

Liszt Academy Concert Centre


Admission to the concert is free. Tickets can be claimed at the website and at the Ticket Office of the Liszt Academy one month before the concert.