13 October 2024, 19.30-22.00

Grand Hall

Organ in the Centre

Sebastian Heindl Bach Recital Presented by Liszt Academy

Johann Sebastian Bach: Chorale Preludes from the Clavier-Übung Part 3 and others works – Part 1: ‘Kis orgonamise’
- Prelude and Fugue in C major, BWV 547 » 1. Prelude
- Kyrie, Gott Vater in Ewigkeit – chorale prelude, BWV 672
- Christe, aller Welt Trost – chorale prelude, BWV 673
- Kyrie, Gott heiliger Geist – chorale prelude, BWV 674
- Allein Gott in der Höh sei Ehr – chorale prelude (Fughetta super), BWV 677
- Allein Gott in der Höh sei Ehr – chorale prelude, BWV 675
- Dies sind die heiligen zehen Gebot – chorale prelude (Fughetta super), BWV 679
- Wir glauben all an einen Gott – chorale prelude (Fughetta super), BWV 681
- Vater unser im Himmelreich – chorale prelude, BWV 683
- Christ, unser Herr, zum Jordan kam – chorale prelude, BWV 685
- Aus tiefer Not schrei ich zu dir – chorale prelude, BWV 687
- Jesus Christus unser Heiland – chorale prelude (Fuga super), BWV 689
- Four Duets, BWV 802–805
- Prelude and Fugue in C major, BWV 547 » 2. Fugue

SZÜNET

Johann Sebastian Bach: Chorale Preludes from the Clavier-Übung Part 3 and others works – Part 2: ‘Great Organ Mass’
- Prelude and Fugue in E-flat major, BWV 552 » 1. Prelude
- Kyrie, Gott Vater in Ewigkeit – chorale prelude, BWV 669
- Christe, aller Welt Trost – chorale prelude, BWV 670
- Kyrie, Gott heiliger Geist – chorale prelude, BWV 671
- Allein Gott in der Höh sei Ehr – chorale prelude, BWV 676
- Dies sind die heiligen zehn Gebot – chorale prelude, BWV 678
- Wir glauben all an einen Gott – chorale prelude, BWV 680
- Vater unser im Himmelreich – chorale prelude, BWV 682
- Vater unser im Himmelreich – chorale prelude, BWV 682
- Jesus Christus, unser Heiland, der von uns den Zorn Gottes wandt – chorale prelude, BWV 688
- Prelude and Fugue in E-flat major, BWV 552 » 2. Fugue

Sebastian Heindl (organ)

Only a few of Johann Sebastian Bach’s works were printed during his lifetime: these included the four-part Clavier-Übung, the third part of which was written between 1735 and 1736 and published in 1739. It begins and ends with a musically related prelude and fugue, with 21 chorale preludes (from two to six voices) and 4 duets (two voices). The collection contains Bach’s most musically complex and technically demanding organ works. The series is also stylistically extremely diverse, featuring all the possible styles and idioms of the period, old and new, local and international. The collection is also an ideal concert programme, given that the series is based in part on the most succesful pieces of Bach’s own organ concerts. The ‘Great Lutheran Organ Mass’ by the former teacher of St. Thomas School, Leipzig will be performed by the organist Sebastian Heindl, a former student of the school.

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