20 December 2024, 19.00-21.00
Solti Hall
Here and Now
Trió Passacaglia: Judit Rajk, László Kéringer & Tamás Zétényi Presented by Liszt Academy
Psalterium Irregulare
Domine ad adjuvandum – a rotulus from a Zsigmond-period fragment beginning the canonical hours
Dicsőült helyeken – folk psalm from the Hungarian tradition
Az Úré a föld és annak teljessége (Psalm 23/24) – New works by György Kurtág, Máté Balogh, Marcell Dargay, László Sándor, Lőrinc Szécsi and Péter Tornyai on the verses of Psalm 23/24
Lassus: Biciniums to psalm texts
Perotinus: Alleluia Posui adiutorium
Rossi: Psalm 12
J. M. C. dall’Abaco: Caprice No. 1 in C minor
Rossi: Psalm 82
Psalm 24. – to a Sephardic tune (arranged by Marcell Dargay)
Rossi: Psalm 128
SZÜNET
Kegyességnek és minden jóságnak… – antiphon from the Old Graduale
Máté Balogh: Quia ipse… (on the verses of Psalm 23/24)
Zoltán Jeney: Honnéni Elohim (50/51. zsoltár) – excerpt from the Funeral Rite
Lőrinc Szécsi: Haec est generatio... (on the verses of Psalm 23/24)
Péter Tornyai: … nunc et semper… – meditation for two cellos
Márton Levente Horváth: Mosaics on Psalm 29
Kegyességnek és minden jóságnak… – antiphon from the Old Graduale
Schütz: Lobe den Herren meine Seele, SWV 39
Schütz: Ich will den Herren loben allezeit, SWV 306 (arranged by Marcell Dargay)
Hildegard von Bingen: De patria – psalm antiphon to Psalm 62
Monteverdi: Laudate dominum in sanctis eius, SV 287 (arranged by Marcell Dargay)
Trió Passacaglia: Judit Rajk, László Kéringer (vocals), Tamás Zétényi (cello)
Celebrating its tenth anniversary, the Trio Passacaglia skillfully blends old and new music in their concerts. With two vocal parts and a cello operating within nearly the same range, their repertoire prominently features Gregorian chant, ornate Eastern monophony, monody, and early medieval polyphonic harmonizations. However, it is their incorporation of contemporary sounds into these arrangements that distinguishes their performances from traditional historical interpretations. In addition to typically shorter, thematically interconnected pieces, they have been experimenting for several years with larger-scale, longer contemporary oratorical works. Their current concert follows a similar concept (Psalterium Irregulare – an irregular psalm book of sorts), with the first “volume” consisting of monophonic psalms and polyphonic psalm songs, and the second half being a pastiche composed by invited composers to the exalted texts of Psalms 23/24. The movements are standalone pieces that can be performed independently, but when arranged sequentially along the verses, following the responsorial tradition of psalmody, with Gregorian chants separating the odd lines and framed by György Kurtág’s antiphon “Attóllite portas...” (Lift up your heads, O gates...), they promise the audience a grand premiere of a major work.
The event is the rescheduled date of the cancelled concert on 21 November, and tickets for the original concert are valid.
- 10% discount for 2 concerts,
- 15% discount for 3 concerts,
- 20% discount for 4 or more concerts.
Presented by
Liszt Academy Concert Centre
Tickets:
HUF 3 900
Concert series:
Other events in the concert series:
19:00
19:00