The most important class, however, for me and for hundreds of other Hungarian musicians, was the chamber-music class. From about the age of fourteen, and until graduation from the Academy, all instrumentalists except the heavy-brass players and percussionists had to participate in this course. Presiding over it for many years was the composer Leó Weiner, who thus exercised an enormous influence on three generations of Hungarian musicians.

Sir Georg Solti

Orsolya Korcsolán and Apolka Bonnyai's Chamber Recital

31 May 2020, 19.00-21.00

Solti Hall

Orsolya Korcsolán and Apolka Bonnyai's Chamber Recital

Golden Age

Cancelled

Goldmark: Suite No. 1 in E major, Op. 11

INTERMISSION

Liszt: Liebesträume
Goldmark: Romance in A major, Op. 51
Liszt: Années de pèlerinage, Première année: Suisse – 9. Les cloches de Genève
R. Goldmark: Four Violin Pieces – 2. Plaintive Air
Liszt: Two Concert Études – 1. Waldesrauschen
Korngold: Much Ado About Nothing – Suite for Violin and Piano, Op. 11

Orsolya Korcsolán (violin), Apolka Bonnyai (piano)

Presented by

Jewish Art Days Festival

Tickets:

HUF 2 900

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