The most important class, however, for me and for hundreds of other Hungarian musicians, was the chamber-music class. From about the age of fourteen, and until graduation from the Academy, all instrumentalists except the heavy-brass players and percussionists had to participate in this course. Presiding over it for many years was the composer Leó Weiner, who thus exercised an enormous influence on three generations of Hungarian musicians.

Sir Georg Solti

17 February 2019, 19.00-21.00

Old Academy of Music, Chamber Hall

Students of György Nádor Presented by Liszt Academy

Liszt: Festpolonaise
Bartók: Three Hungarian Folksongs from Csík, BB 45b
C. Schumann: Soirées musicales, Op. 6
Brahms: Variations on a Theme by Paganini, Op. 35
Mendelssohn: Fantasia in F-sharp minor, Op. 28 (‘Sonate éccossaise’)
Gade: Three Character Pieces, Op. 18
Mendelssohn: Andante and Allegro brillant, Op. 92

Sugano Kaai, Sugano Masanori (piano)

Presented by

Liszt Ferenc Academy of Music, Keyboard and Harp Department

Tickets:

Admission is free, subjected to the capacity of the room.

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