EN
The most important class, however, for me and for hundreds of other Hungarian musicians, was the chamber-music class. From about the age of fourteen, and until graduation from the Academy, all instrumentalists except the heavy-brass players and percussionists had to participate in this course. Presiding over it for many years was the composer Leó Weiner, who thus exercised an enormous influence on three generations of Hungarian musicians.
Sir Georg Solti
Students of György Nádor and László Borbély

16 January 2020, 18.00-21.00

Old Academy of Music, Chamber Hall

Students of György Nádor and László Borbély Presented by Liszt Academy

J. S. Bach: Das wohltemperierte Klavier, Book 1 – Prelude and Fugue in b-flat minor, BWV 867
Scriabin: Etude in C-sharp minor, Op. 42/5
Beethoven: Piano Sonata No. 26 in E-flat major, Op. 81a (‘Les Adieux’)
Nguyễn Thi Bang-Linh (piano)
Scriabin: Piano Sonata No. 4 in F-sharp major, Op. 30
Gyula Szilágyi (piano)
Beethoven: Piano Sonata No. 4 in E-flat major, Op. 7 – 1. Allegro molto e con brio
Mendelssohn: Variations sérieuses, Op. 54
Péter Bálint (piano)
J. S. Bach: French Suite No. 3 in B minor, BWV 814
Ravel: Le tombeau de Couperin – excerpts
Nguyễn Anh Tung (piano)
Chopin: Mazurka in D major, Op. 33/2
Chopin: Waltz in F major, Op. 34/3 (‘Grande valse brillante’)
Chopin: Nocturne No. 2 in E-flat major, Op. 9/2
Chopin: Etude in C minor, Op. 10/12 (ʻRevolutionaryʼ)
Łukasz Piasecki (piano)
Schumann: Kreisleriana, Op. 16
Ikehira Hitoshi (piano)

Teachers: László Borbély (1, 2, 3, 4, 5, 6), György Nádor (1, 3, 6), Katalin Falvai (5), Dávid Báll (4)

Tickets:

Admission is free, subjected to the capacity of the room.

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