EN
The most important class, however, for me and for hundreds of other Hungarian musicians, was the chamber-music class. From about the age of fourteen, and until graduation from the Academy, all instrumentalists except the heavy-brass players and percussionists had to participate in this course. Presiding over it for many years was the composer Leó Weiner, who thus exercised an enormous influence on three generations of Hungarian musicians.
Sir Georg Solti
Students of Tamás Rónaszéki, Emese Mali & János Rolla

15 May 2022, 11.00-14.00

Cupola Hall

Liszt Academy Home Concerts

Students of Tamás Rónaszéki, Emese Mali & János Rolla Presented by Liszt Academy

Chamber Music Concerts 2021/2022 Spring

Dowland: Come again, sweet love doth now invite
Dowland: Flow, my tears
Dowland: Sleep wayward thoughts
Luca Dolhai (vocals), Eszter Egri (guitar)
Persányi Zsófia: Impromptu-snitt
Damjan Jovičin: Guitar Duo 27
Steve Reich: Nagoya Guitars
Rašić Maria, Máté Tokárszky (guitar)
Bartók: Fifteen Hungarian Peasant Songs, BB 79 (Szurgyi Gergely transcription gitártrióra)
Krisztián Tóth, Döme Zoltay, Nathan Andrian (guitar)
Schubert: 13. (A minor) String Quartet, D. 804 („Rosamunde”)
Marley Erickson, Zoltán Schwartz (violin), Péter Bor (viola), Yosuke Shimizu (cello)

Presented by

Liszt Ferenc Academy of Music

Tickets:

Admission is free, subjected to the capacity of the room.

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