The most important class, however, for me and for hundreds of other Hungarian musicians, was the chamber-music class. From about the age of fourteen, and until graduation from the Academy, all instrumentalists except the heavy-brass players and percussionists had to participate in this course. Presiding over it for many years was the composer Leó Weiner, who thus exercised an enormous influence on three generations of Hungarian musicians.

Sir Georg Solti
György Pauk Chamber Music Master Class

15 April 2019, 11.00-17.00

Room X

György Pauk Chamber Music Master Class Presented by Liszt Academy

11.00-12.00: Lachegyi Róza (violin), Márkus Ágnes (cello), Kovács Gergely (piano)
Brahms: Piano Trio No. 1 in B major, Op. 8

12.00-13.00: Gál-Tamási Anna (violin), Asztalos Dorottya (cello), Richter Zsófia (piano)
Shostakovich: Piano Trio No. 1 in C minor, Op. 8


14.00-15.00: Kökény Eszter, Dósa Csenge (violin), Görbicz Fülöp (viola), Tomasz Máté (cello)
Mozart: String Quartet No.14 in G major, K. 387 (‘Spring’)

15.00-16.00: Milibák Edit, Varga Patrik (violin), Turcsányi Zsófia (viola), Lakatos Sára (cello)
Mendelssohn: String Quartet No. 4 in E minor, Op. 44/2 – 1. Allegro assai appassionato

16.00-17.00: Bettermann Rebeka (cello), Hirling Bettina (piano)
Debussy: Sonata for Cello and Piano in D minor

Presented by

Liszt Ferenc Academy of Music, Chamber Music Department


Admission is free and subjected to the capacity of the room. No preliminary application is necessary. The Liszt Academy does not issue attendance certificates about passive participation.