The most important class, however, for me and for hundreds of other Hungarian musicians, was the chamber-music class. From about the age of fourteen, and until graduation from the Academy, all instrumentalists except the heavy-brass players and percussionists had to participate in this course. Presiding over it for many years was the composer Leó Weiner, who thus exercised an enormous influence on three generations of Hungarian musicians.

Sir Georg Solti

Ábrahám, Márta School for Exceptional Young Talents, Strings Department Violin as Main Subject

Ács Szily, Éva Department of Teacher Education Violin Teaching Methodology on Primary Level

Almási-Tóth, András Department of Vocal and Opera Studies Performing on Stage

Alszászy, Gábor Department of Vocal and Opera Studies Piano Accompanist

Alter, Katalin Department of Vocal and Opera Studies Piano Accompanist

Andorka, Péter Music Theory Department, School for Exceptional Young Talents Analysis, Solfège and Music Theory Preparation Course

András, Orsolya Folk Music Department Folk Music in Theory and Practice, Folk Music Theory, Hungarian Folk Music

Antal, Mátyás Woodwind and Brass Department Chamber Music, Wind Ensemble

Dr. Árendás, Péter Folk Music Department Chamber Music, Chamber Music Teaching Methodology-Seminar, Folk Viola as Main Subject, Repertoire Studies, Teaching Methodology

Dr. Asztalos, Kata Kodály Institute Early Childhood Music Education

Ávéd, János Jazz Department Combo Practice