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Classical Percussion admission requirements for BA and non-degree studies

Admission requirements are the same for in person and online applicants unless indicated otherwise.

Main subject:

Side drum:

Obligatory:

  • J. Delécluse: Test-claire
    or
  • Bent Lyloff: Aarhus etude No. 9

Elective:

  • one elective rudimental etude, 3 minutes at maximum


Timpani:

Elective - one piece, for four timpanis from the following volumes:

  • Nick Woud: Symphonic Studies for Timpani
    or
  • Nick Woud: The Timpani Challenge


Marimba:

Obligatory:

  • two movements of the candidate's choice from the cello suites of J. S. Bach
  • Musser: etude in G major
  • one elective four-stick perfomance piece on a melodic instrument


Set-up:

  • one piece of the candidate's choice


Sight-reading

 

 

GENERAL ADMISSION REQUIREMENTS - ONLY FOR FULL-TIME BA STUDIES

SOLFEGE, MUSIC THEORY - for applicants for the online entrance examination

A. SOLFEGE, MUSIC THEORY

General requirements: in-depth understanding of the theory of classical harmony (diatonic triads and seventh-chords, their inversions; double dominant; sharpened subdominants with diminished seventh [#IIo7, #IVo7] and their inversions), knowledge of simple and complex forms (incl. compound ternary form [Trio form]).
 
Written examination:
1.) Dictation of a four-part harmonic progression (max. 15 chords), notation of all parts; indication of the harmonic progression with figures above or below the bass line (figured bass) or with Roman and Arabic numerals. (Played 6 times.)
2.) Writing out, in close voicing, of two four-part harmonic progressions (max. 11 chords) from Roman and Arabic numberals.
3.) Writing down an 8-12-bar piece in baroque or Viennese classical style containing equally elaborated parts after dictation (Played 9-10 times).
4.) Dictation of a sequence including twelve to sixteen intervals, triads and seventh-chords and their inversions. The chords should also be named. (Played 3-4 times).
5.) Notation of the dictated rhythm by ear.
6.)  Indication of the parts of simple and compound binary and ternary forms of a musical excerpt given on the spot. Indication of proper keys, modulations, cadences and functions are also needed.
Oral examination:
1.) Playing (on the keyboard) of harmonic progressions based on classical harmony after dictation.
2.) Sight-singing of two song excerpts from:

a) the 18th century,

b) the late 19th century or 20th century

with a maximum of 12 bars.

3.) Identification and singing of intervals, triads and chords of four notes, as well as their inversions from the given notes.

4.) Clapping or tapping of short rhythmic patterns by sight or by ear.

SAMPLE SHEET MUSIC

C. FOLK MUSIC

  • Informal conversation about the folk music of the candidate's country.