Balázs, ÁdámComposition DepartmentAnalysis of Film Soundtracks, Digital Orchestration and Recording, Logic – Studio Technique as Main Subject
Bali, JánosComposition DepartmentAcoustics-Psychoacoustics, Recorder Teaching Methodology on Primary Level
Baráth, BálintComposition DepartmentComposition Methods, Electronic Composition as Main Subject, Orchestration
Dr. Barta, GergelyComposition DepartmentClassical and Free Composition as Main Subject, Instrumental and Vocal Counterpoint
Bella, MátéComposition Department20th Century Styles of Composing in Practice, Composition as Main Subject, Free Composition as Main Subject
Bolcsó, BálintComposition DepartmentElectronic Composition as Main Subject, Electronic Music Notation, Interactive Music Project, Scores
Farkas, BenceComposition DepartmentDigital Orchestration and Recording
Fekete, GyulaComposition DepartmentClassical and Free Composition as Main Subject, Orchestration, Prosody
Horváth, BalázsComposition DepartmentAnalysis, Contemporary Composition Techniques, Solfège and Music Theory
Kecskés D., BalázsComposition DepartmentClassical Composition Practice as Main Subject, Composition as Main Subject, Formal Analysis, Free Composition as Main Subject
Serei, ZsoltComposition DepartmentComposition Main Subjects
Sőrés, ZsoltComposition DepartmentAnalysis of Film Soundtracks, Electronic Music Notation, Scores
Szigetvári, AndreaComposition DepartmentComposition as Main Subject, Electronic Composition as Main Subject
Tihanyi, LászlóComposition DepartmentAnalysis, Classical Composition Practice as Main Subject, Composition DLA Seminar, Musical and Musicology Seminars, Solfège and Music Theory
Tornyai, PéterComposition DepartmentComposition as Main Subject, Free Composition as Main Subject, Orchestration as Main Subject