Balázs, Ádám Composition Department Analysis of Film Soundtracks, Digital Orchestration and Recording, Logic – Studio Technique as Main Subject

Baráth, Bálint Composition Department Composition Methods, Electronic Composition as Main Subject, Orchestration

Dr. Barta, Gergely Composition Department Classical and Free Composition as Main Subject, Instrumental and Vocal Counterpoint

Bella, Máté Composition Department 20th Century Styles of Composing in Practice, Composition as Main Subject, Free Composition as Main Subject

Bolcsó, Bálint Composition Department Electronic Composition as Main Subject, Electronic Music Notation, Interactive Music Project, Scores

Farkas, Bence Composition Department Digital Orchestration and Recording

Fekete, Gyula Composition Department Classical and Free Composition as Main Subject, Orchestration, Prosody

Horváth, Balázs Composition Department Analysis, Contemporary Composition Techniques, Solfège and Music Theory

Kádár, Mihály Composition Department Developing Vocal Timbre Through Solfège, Digital Orchestration and Recording

Kecskés D., Balázs Composition Department Classical Composition Practice as Main Subject, Classical Composition Techniques, Composition, Formal Analysis

Kerestes, Szabolcs Composition Department Electronic Music Media Subjects

Kertész, Krisztián Composition Department Interactive Media

Serei, Zsolt Composition Department Composition Main Subjects

Sőrés, Zsolt Composition Department Analysis of Film Soundtracks, Electronic Music Notation, Scores

Szigetvári, Andrea Composition Department Composition as Main Subject, Electronic Composition as Main Subject

Tihanyi, László Composition Department Analysis, Classical Composition Practice as Main Subject, Composition DLA Seminar, Musical and Musicology Seminars, Solfège and Music Theory

Tornyai, Péter Composition Department Composition as Main Subject, Contemporary Music, Orchestration as Main Subject