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Main Subject
ANY MAIN SUBJECT
Accompaniment of Instrumentalists as Main Subject
Accompaniment of Lied and Oratorio as Main Subject
Accordion as Main Subject
Acoustics-Psychoacoustics
Bassoon as Main Subject
Cello as Main Subject
Chamber Music
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Cimbalom as Main Subject
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Classical Composition Practice as Main Subject
Classical Double Bass as Main Subject
Classical Saxophone as Main Subject
Classical Singing as Main Subject
Cobza as Main Subject
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Composition Main Subjects
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Conducting Technique as Main Subject
Conducting Technique as Main Subject (Orchestra)
Contrabassoon
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Electronic Composition as Main Subject
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Folk Double Bass as Main Subject
Folk Double Bass, Cello, Ütőgardon, Tambura Bass as Main Subject
Folk Music Theory (Dialectology)
Folk Recorder as Main Subject
Folk Singing as Main Subject
Folk String Instruments as Main Subject
Folk Viola as Main Subject
Folk Violin as Main Subject
Folk Zither and Cobza as Main Subject
Folk Zither as Main Subject
Folk Zither–Cobza–Hurdy-Gurdy as Main Subject
Free Composition as Main Subject
Guitar as Main Subject
Guitar History
Harp as Main Subject
Harpsichord
Harpsichord as Main Subject
History of Ethnomusicology and Research
History of Western and Hungarian Music as Main Subject
Horn as Main Subject
Hungarian as a Foreign Language
Hurdy-Gurdy
Instrumental Piano Accompaniment as Main Subject
Interactive Music Project
Jazz Bass Guitar as Main Subject
Jazz Composition and Jazz Piano as Main Subject
Jazz Double Bass as Main Subject
Jazz Drum as Main Subject
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Jazz Piano as Main Subject
Jazz Saxophone as Main Subject
Jazz Singing as Main Subject
Jazz Trombone as Main Subject
Jazz Trumpet as Main Subject
Jazz Violin as Main Subject
Knowledge of Ethnographic Sources
Methodology of Piano Performance
Music History Research as Main Subject
Musicology Subjects
Oboe as Main Subject
Opera Singing as Main Subject
Orchestral Conducting as Main Subject
Orchestral Conducting Practice
Orchestration as Main Subject
Organ as Main Subject
Percussion Instruments as Main Subject
Piano as Main Subject
School Celebrations. Vocal and Instrumental – in the Past and in the 21st Century
Solfège as Main Subject
String Quartet
Study of Musical Styles
Tambura as Main Subject
Tambura as Main Subject
Teaching Methodology of Conducting
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Trumpet as Main Subject
Trumpet Teaching Methodology on Primary Level
Turkish Pipe and Folk Clarinet as Main Subject
Viola as Main Subject
Violin as Main Subject
Vocal Repertoire Studies
Zoltán Kodály’s oeuvre
Submit
Bódiss, Tamás
Church Music Department
Organ
Bubnó, Tamás
Church Music Department
Byzantine Music Course, Church Music Pedagogy
Dobszay, Ágnes
Church Music Department
Church Music Repertoire, Folk Songs, Transposing and Score Reading
Dr. Enyedi, Pál
Church Music Department
Organ, Repertoire Studies
Farkas, Domonkos
Church Music Department
Gregorian, Liturgical Practice, Serving in Liturgy
Fekete, Anikó
Church Music Department
Liturgical Organ Music
Földváry, Miklós
Church Music Department
Liturgical Latin Language, Liturgy of the Hours, The Trident Rite
Fülöp, József
Church Music Department
Liturgical German Language
Hafenscher, Károly
Church Music Department
Liturgical Readings, Protestant Liturgy
Dr. Horváth, Márton Levente
Church Music Department
Organ
Kocsis, Csaba
Church Music Department
Hymnology, Serving in Liturgy
Dr. Merczel, György
Church Music Department
Gregorian
Dr. Mezei , János
Church Music Department
Liturgical Organ Music
Mizsei, Zoltán
Church Music Department
Choral Conducting, Church Music Subjects, Music History
Papp, Anette
Church Music Department
Folk Songs, Gradual
Pétery, Dóra Laura
Church Music Department
Church Music DLA Seminar, Organ, Piano Accompaniment
Rajk, Judit
Church Music Department
Classical Singing, Early Baroque Liturgical Songs, Voice Production Techniques
Varga, Benjámin
Church Music Department
Eastern Liturgical Singing, History of Liturgy, Latin, Liturgical Readings
Zászkaliczky, Tamás
Church Music Department
Chorale, Organ as Main Subject