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Main Subject
ANY MAIN SUBJECT
Accompaniment of Instrumentalists as Main Subject
Accompaniment of Lied and Oratorio as Main Subject
Accordion as Main Subject
Acoustics-Psychoacoustics
Bassoon as Main Subject
Cello as Main Subject
Chamber Music
Choral Conducting as Main Subject
Choral Conducting Main Subjects
Cimbalom as Main Subject
Clarinet as Main Subject
Classical and Free Composition as Main Subject
Classical Composition Practice as Main Subject
Classical Double Bass as Main Subject
Classical Saxophone as Main Subject
Classical Singing as Main Subject
Cobza as Main Subject
Composition as Main Subject
Composition Main Subjects
Conducting Technique and Choir Conducting as Main Subjects
Conducting Technique as Main Subject
Conducting Technique as Main Subject (Orchestra)
Contrabassoon
Cultural Institutions, Copyright
Digital Culture
Electronic Composition as Main Subject
English Horn
Flute as Main Subject
Folk Accordion as Main Subject
Folk Bagpipe as Main Subject
Folk Cimbalom as Main Subject
Folk Clarinet–Turkish Pipe as Main Subject
Folk Double Bass as Main Subject
Folk Double Bass, Cello, Ütőgardon, Tambura Bass as Main Subject
Folk Music Theory (Dialectology)
Folk Recorder as Main Subject
Folk Singing as Main Subject
Folk String Instruments as Main Subject
Folk Viola as Main Subject
Folk Violin as Main Subject
Folk Zither and Cobza as Main Subject
Folk Zither as Main Subject
Folk Zither–Cobza–Hurdy-Gurdy as Main Subject
Free Composition as Main Subject
Guitar as Main Subject
Guitar History
Harp as Main Subject
Harpsichord
Harpsichord as Main Subject
History of Ethnomusicology and Research
History of Western and Hungarian Music as Main Subject
Horn as Main Subject
Hungarian as a Foreign Language
Hurdy-Gurdy
Instrumental Piano Accompaniment as Main Subject
Interactive Music Project
Jazz Bass Guitar as Main Subject
Jazz Composition and Jazz Piano as Main Subject
Jazz Double Bass as Main Subject
Jazz Drum as Main Subject
Jazz Guitar as Main Subject
Jazz Piano as Main Subject
Jazz Saxophone as Main Subject
Jazz Singing as Main Subject
Jazz Trombone as Main Subject
Jazz Trumpet as Main Subject
Jazz Violin as Main Subject
Knowledge of Ethnographic Sources
Methodology of Piano Performance
Music History Research as Main Subject
Musicology Subjects
Oboe as Main Subject
Opera Singing as Main Subject
Orchestral Conducting as Main Subject
Orchestral Conducting Practice
Orchestration as Main Subject
Organ as Main Subject
Percussion Instruments as Main Subject
Piano as Main Subject
School Celebrations. Vocal and Instrumental – in the Past and in the 21st Century
Solfège as Main Subject
String Quartet
Study of Musical Styles
Tambura as Main Subject
Tambura as Main Subject
Teaching Methodology of Conducting
Teaching Practices
Trombone as Main Subject
Trumpet as Main Subject
Trumpet Teaching Methodology on Primary Level
Turkish Pipe and Folk Clarinet as Main Subject
Viola as Main Subject
Violin as Main Subject
Vocal Repertoire Studies
Zoltán Kodály’s oeuvre
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Ábrahám, Márta
Strings Department
Violin as Main Subject
Balogh, Vera
Strings Department
Baroque Flute as Secondary Instrument
Banda, Ádám
Strings Department
Violin as Main Subject
Baranyay, Piroska
Strings Department
Baroque Cello as Main Subject
Baráti, Kristóf
Strings Department
Violin as Main Subject
Bársony, Péter
Strings Department
Study of Orchestral Parts, Viola as Main Subject
Bársony, László
Strings Department
Strings Methodology, Viola as Main Subject
Boross, Szilvia
Strings Department
Piano Accompanist
Csáki, András
Strings Department
Guitar as Main Subject, Guitar History
Czakó, Erika
Strings Department
Guitar Ensemble, Guitar Teaching Methodology on Primary and Secondary Level
Dani, Imre
Strings Department
Piano Accompanist
Dr. Eötvös, József
Strings Department
Guitar as Main Subject, Guitar Continuo Performance, Teaching Practice
Fejérvári, Zsolt
Strings Department
Classical Double Bass as Main Subject
Granik, Anna
Strings Department
Piano Accompanist
Homor, Zsuzsanna
Strings Department
Instrumental Piano Accompaniment as Main Subject, Piano Accompanist, Repertoire Studies
Járdányi, Zsófia
Strings Department
Violin as Main Subject
Kapás, Géza
Strings Department
Strings Methodology, Violin as Main Subject, Violin Teaching Methodology
Kelemen, Barnabás
Strings Department
Violin as Main Subject
Kertész, Ottó
Strings Department
Cello as Main Subject, Study of Orchestral Parts
Kertész, István
Strings Department
Violin as Main Subject
Kokas, Dóra
Strings Department
Cello as Main Subject
Kovalszki, Mária
Strings Department
Piano Accompanist
Kováts, Péter
Strings Department
Chamber Music, Orchestra, String Quartet, Violin as Main Subject
Környei, Zsófia
Strings Department
Study of Orchestral Parts, Violin as Main Subject
Kubina, Péter
Strings Department
Classical Double Bass as Main Subject, Study of Orchestral Parts
Láposi, János
Strings Department
Strings Methodology, Study of Orchestral Parts, Viola as Main Subject
Lugosi Várhalmi, Vera
Strings Department
Piano Accompanist
Mező, László
Strings Department
Cello as Main Subject
Nagao, Haruka
Strings Department
Violin as Main Subject
Onczay, Csaba
Strings Department
Cello as Main Subject
Paulik, László
Strings Department
Baroque Violin as Secondary Instrument
Perényi, Miklós
Strings Department
Cello as Main Subject
Perényi, Eszter
Strings Department
Strings DLA Seminar, Violin as Main Subject
Rohmann, Ditta
Strings Department
Cello as Main Subject
Rónaszéki, Tamás
Strings Department
Chamber Music, String Quartet, Study of Orchestral Parts
Sárosi, Istvánné
Strings Department
Piano Accompanist
Somogyi, Péter
Strings Department
Study of Orchestral Parts, Violin as Main Subject
Soós, Orsolya
Strings Department
Piano Accompanist
Szabadi, Vilmos
Strings Department
Violin as Main Subject
Szenthelyi, Miklós
Strings Department
Violin as Main Subject
Szenthelyi, Judit
Strings Department
Piano Accompanist
Taraszova, Brigitta
Strings Department
Piano Accompanist
Tóth, Marianna
Strings Department
Piano Accompanist, Piano as Main Subject
Varga, István
Strings Department
Cello as Main Subject
Vashegyi, György
Strings Department
Basso Continuo, Early Chamber Music, Early Music Performing in Practice